PROGRAMME
8. September:
10.00-10.15:
Welcoming address by Bjarne Rogan, centre director
10.15-13.00 Keynotes
Theodora Psychoyou, Paris/Sorbonne:
Editing French manuscripts of the late 17th Century: stakes of Marc-Antoine Charpentier's holograph sources
Clive Brown, Leeds University:
Editing Brahms sonatas: reading between the lines of the notation
Bjarte Engeset, University of Oslo:
Fartein Valen's orchestral works: the sources
Discussion
Moderator: Ståle Wikshåland
13.00: Lunch
14.00-17.00
Peter Hauge, DCM
Reconstructing a musical work on the basis of incomplete performance material: Scheibe’s Passion Cantata “Sørge-kantata ved Christi Grav” (1769)
Margrete Bue, Norwegian National library
Scholarly Editing and Performing Arts - Music and Dance as Text
Lars-Thomas Holm, NMH
Ludvig Irgens-Jensen: The editing of his Piano Quintet
Discussion
Moderator: Clive Brown
9. September:
10.00-12.45
Thomas Erma Møller, IMV/UiO:
Editor's Choice: Catholic or Protestant Mary. The Text Issue in a Critical Edition of Fartein Valen's Ave Maria for Soprano and Orchestra, Op. 4
Jan Gunnar Sørbø, NMH
Von Bülow’s performance editions: Giving new life to a lost performance practice
Discussion
Moderator: Ståle Wikshåland
13.00: Lunch
The afternoon is at free disposal for all participants
10. September:
10-13.00:
Papers
Morten Christophersen, IMV/UiO
Johan Svendsen as a revising Composer
Hans Olav Gorset, NMH
Hand-written Norwegian music books - documentation and inspiration
Ståle Wikshåland
A new digital Review for critical editing – plans and prospects
13.00: Lunch