Svendsen, Johan

Antonia-vals

Antonia Waltz

([da]: Antonia Waltz)

JSV 13

 

Before embarking on his studies in Leipzig in 1862, Johan Svendsen (1840–1911) composed a number of works in the popular genres of his time – nine waltzes, two polkas, two galops, two marches, and a bolero. The nine waltzes are all waltz cycles in Viennese style. They all have an introduction, five numbered waltzes, and a longer, more freely conceived finale with a return to the first part of the first waltz.The Antonia Waltz employs the largest percussion forces among all the dances, with exotic appearances by tamburino and castagnetti, as well as tamburo piccolo, piatti and gran cassa. In a letter of September 1861 to his sister Alberthine (1844–1921), Svendsen mentioned both this waltz and the march The 9th of November:  ‘Antonia’ and a march: ‘The 9th of October’ [sic]. Both have been most favourably judged by my colleagues: I mean, by those who understand a thing or two. I do not give a farthing for judgements by others.

Composition: 27 May 1861.

Christiania

Instrumentation:

2 fl., 2 ob., 2 cl., 2 fg., 2 cor., 2 tr., 2 trb., tb., perc. (tamburo piccolo, tamburino, castangetti, piatti, gran cassa), timp., str.

Presto

Metre: 3/4

Key: A major

Extent: ca. 11:30 min.

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File title:

Antonia-vals

File publication:

Norsk Musikkarv (NM)
Institutt for musikkvitenskap
Postboks 1017
Blindern 0315
Oslo
WWW: http://www.musikkarven.no/
E-mail: mailto://bjar-eng@online.no

Bjarte Engeset (Editor in Chief)

Editorial Committee:  Morten Christophersen, Bjarte Engeset, Jørn Fossheim, Audun Sannes Jonassen,  Jørgen Langdalen, Øyvind Norheim


Last changed 2022-02-19 by bjarte