Svendsen, Johan

Kamp fører til Seier. Marsj

(March for Orchester)

Struggle leads to Victory. March

([da]: Bryllupsmarsche)

JSV 28

 

The title of this march, Struggle leads to Victory, may have been politically motivated. The march shares the same key and other musical traits with the march The 9th of November, whose context is clearly political. The title may also allude to the idea of proceeding ‘from struggle to victory’, a concept not least associated with Beethoven, but may also refer to Svendsen’s own personal struggle in the summer of 1863, when he wrote the march. At the time, Svendsen lacked the funds to start studying at the Leipzig Conservatory, and fought to secure financial support from the Norwegian government throughout the summer and autumn 1863.

45 years later, in 1908, Svendsen had agreed to collaborate with his student Joachim Bruun de Neergaard (1877–1920) on composing music for Charlotte Marie von Scholten’s (1855–1931) historical drama Attila. Svendsen probably did not compose any original music, but planned to use his Polonaise, Op. 28, assigning it a new title: Dans paa Attilas Kongeborg in 2den Akt (Dance at Attila’s Royal Castle in the 2nd Act). He also considered including Struggle Leads to Victory under the new title Bryllups ­marsche (Wedding March).

Composition: 13 July 1863.

Lübeck

Instrumentation:

2 fl., 2 ob., 2 cl., 2 fg., 2 cor., 2 tr., trb., tb., perc. (tamburo piccolo, gran cassa), timp., str.

Metre: 4/4

Key: E major

Extent: ca. 7 min.

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File title:

Kamp fører til Seier. Marsj

File publication:

Norsk Musikkarv (NM)
Institutt for musikkvitenskap
Postboks 1017
Blindern 0315
Oslo
WWW: http://www.musikkarven.no/
E-mail: mailto://bjar-eng@online.no

Bjarte Engeset (Editor in Chief), Editorial Committee: Morten Christophersen, Bjarte Engeset, Jørn Fossheim, Audun Sannes Jonassen, Jørgen Langdalen, Øyvind Norheim


Last changed 2022-02-19 by bjarte