Svendsen, Johan
Sigurd Slembe, op. 8
Sigurd Slembe, Op. 8
([de]: Sigurd Slembe. Symphonische Einleitung zu Bjørnstjerne Bjørnsons gleichnamigem Drama)
JSV 45
Dedicatee: Dr. A. Keil
Sigurd Slembe, Op. 8, was Johan Svendsen’s first work with a ‘programme’, although the title alone betrays its programmatic roots. This was to be the work that firmly identified him as a modernist in the eyes of his contemporaries. One critic wrote that Svendsen was ‘still in the midst of rawest fermentation’. The first ideas for the work probably materialized during a stay in Paris from February 1868 to March 1870. The French capital provided Svendsen with radical impulses in many areas and may have inspired him to abandon classical forms such as symphony, chamber music and concerto in Op. 8.
Both Bjørnstjerne Bjørnson’s (1832–1910) ideas behind Sigurd Slembe and the actual text to the drama must also have been a great inspiration to Svendsen. The actual historic Sigurd Slembe (1100–1139) was one of King Magnus Barefoot’s sons and one of several heirs to the throne in a time of civil war. Bjørnson’s play Sigurd Slembe was published in 1862, inspired by Snorri Sturluson (1178–1241) and the work of historian Peter Andreas Munch (1810–1863). It is a dramatic trilogy consisting of Sigurd’s First Flight, Sigurd’s Second Flight and Sigurd’s Homecoming.
There is no doubt as to where Edvard Grieg stood in the discussion about modernity that was repeatedly incited by Sigurd Slembe. In a letter to August Winding following the concert in October 1872 in Christiania, where Svendsen himself directed the work, Grieg wrote: ‘But as mentioned, there are forces at work here, and rather something demonic when these forces keep a tight rein, than the German sickliness that entirely lacks the ability for powerful progress.
Composition: 4 Nov. 1871.
Leipzig
Instrumentation:
2 fl., 2 ob., 2 cl., 2 fg., 4 cor., 2 tr., 3 trb., tb. timp., str.
Allegro moderato
Metre: 4/4
Key: C major
Extent: ca. 10 min.
Reproduction (edition or facsimile):
Sources
A: Score, autograph
[Classification: notated music, manuscript, autograph, score, printer's copy]
34 pages; 26,5x34,5 cm.
Title page: Sigurd Slembe / Symphonische Einleitung zu Bjørnstjerne Bjørnsons / gleichnamigem Drama / von / Johan S. Svendsen / Op. 8. / Leipzig / November 1871
Hand ruled music paper, 18 staves
Pagination: 1–34
At the end of the score: Leipzig den / 4de november / 1871 / JSvendsen
Written in ink (Johan Svendsen). Additions in blue crayon and red crayon.
N-Onm (National Library of Norway, Oslo, Norway) Mus.ms. 551.
Facsimile
Provenance: In the protocol of the library: Kjøp fra Leo Liepmannssohn, Berlin. 2/2-29 [Purchased from Leo Liepmannssohn, Berlin. 2/2-29] Also a small sheet of paper inside the score, typed: Op. 8 Sigurd Slembe. Symphonische Einleitung (Kjøpt fra Liepmannssohn).
B: Printed score, first edition
[Classification: notated music, print, score, first edition]
E. W. Fritzsch, Leipzig 1872.
63 pages.
Title page: Herrn Legationsrath Domherr / Dr. A. Keil. / Sigurd Slembe. / Symphonische Einleitung zu Bjørnstjerne Bjørnson's / gleichnamigem Drama / von / Johan S. Svendsen. / Op. 8.
Pl. no. E. W. F. 195 L.
BPTS: Printed parts, first edition
[Classification: notated music, print, parts, first edition]
E. W. Fritzsch, Leipzig 1872.
Title page: Sigurd Slembe. Symphonische Einleitung zu Bjørnstjerne Bjørnsons gleichnamigem Drama
Pl. no. E. W. F. 196 L.
Arrangement: Pano four hands
[Classification: notated music, print, piano score]
Arranger: Aloys Reckendorf.
E. W. Fritzsch, Leipzig 1872.
Title page: Sigurd Slembe. Symphonische Einleitung zu Bjørnstjerne Bjørnsons gleichnamigem Drama
Pl. no. E. W. F. 197 L.
C: Printed score, Siegel edition
[Classification: notated music, print, score, later edition]
C.F.W. Siegel’s Musikalienhandlung (R. Linnemann), Leipzig 1903.
Title page: Sigurd Slembe. Symphonische Einleitung zu Bjørnstjerne Bjørnsons gleichnamigem Drama
Pl. no. 13455.
Reprint of the Fritzsch edition
CPTS: Printed parts, Siegel edition
[Classification: notated music, print, parts, later edition]
C.F.W. Siegel’s Musikalienhandlung (R. Linnemann), Leipzig 1903.
Title page: Sigurd Slembe. Symphonische Einleitung zu Bjørnstjerne Bjørnsons gleichnamigem Drama
Pl. no. 13456.
Reprint of the Fritzsch edition
Arrangement: Piano four hands, Siegel edition
[Classification: notated music, print, piano score]
Arranger: Aloys Reckendorf.
C.F.W. Siegel’s Musikalienhandlung (R. Linnemann), Leipzig 1903.
Title page: Sigurd Slembe. Symphonische Einleitung zu Bjørnstjerne Bjørnsons gleichnamigem Drama
Pl. no. 13457.
Reprint of the Fritzsch edition
Performances
| 12 Dec. 1871 |
Euterpe, Leipzig (conductor: Johan Svendsen). First performance.
Reviews: Allgemeine musikalische Zeitung, 14 Dec. 1871. Leipziger Tageblatt, 14 Dec. 1871. Leipziger Nachrichten, 14 Dec. 1871. |
| 28 June 1872 |
Kassel (conductor: Johan Svendsen).
Reviews: Neue Freie Presse, Wien, 3 July 1872. Aftenbladet, 13 Aug. 1872. |
| 4 May 1872 |
Christiania (conductor: Edvard Grieg). |
| 26 Oct. 1872 |
Christiania (Ad hoc Orchestra; conductor: Johan Svendsen).
Reviews: Aftenbladet, 28 Oct. 1872. Aftenposten, 28 Oct. 1872. Morgenbladet. |
| 1873-11 |
New York (conductor: Theodore Thomas).
Review: The World, 24 Nov. 1873. |
| 1874-02 |
New York (conductor: Theodore Thomas). |
| 1880-04 |
Copenhagen (conductor: Niels Gade). |
| 1880 |
London. |
Primary texts
Letters:
| 22 Sept. 1870 |
from Johan Svendsen to Edvard Grieg |
| 31 Dec. 1871, Leipzig |
from Johan Svendsen to Gulbrand Svendsen, Nasjonalbiblioteket, Oslo Brevs. 533:71. NBdigital |
| 27 Apr. 1874 |
from Johan Svendsen to Kristian Winter-Hjelm |
| 21 Apr. 1881 |
from Edvard Grieg to G. Matthison-Hansen |
Bibliography
Diary entries:
| 22 July 1872 |
Cosima Wagner |
| 7 Feb. 1907 |
Edvard Grieg |
Other:
Watson's Art Journal, 12 Aug. 1871.
Verdens Gang, 23 Feb. 1908 (John Paulsen).
File title:
Sigurd Slembe, op. 8
File publication:
Norsk Musikkarv (NM)
Institutt for musikkvitenskap
Postboks 1017
Blindern 0315
Oslo
WWW: http://www.musikkarven.no/
E-mail: mailto://bjar-eng@online.no
Bjarte Engeset (Editor in Chief), Editorial Committee: Morten Christophersen, Bjarte Engeset, Jørn Fossheim, Audun Sannes Jonassen, Jørgen Langdalen, Øyvind Norheim
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